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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":418872,"artifact_id":420358,"collection_id":1100}}],"artifact_type":{"id":140,"artifact_type":"Wall slab","parent_id":23,"description":null},"period":{"id":23,"sequence":25,"period":"Neo-Assyrian (ca. 911-612 BC)","name":"Neo-Assyrian","time_range":"ca. 911-612 BC"},"provenience":{"id":290,"provenience":"Dur-\u0160arrukin (mod. 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The access system to this significant archive of ancient documents is the result of a intensive collaboration among several institutions, led above all by the Hermitage curator N. Koslova. Within the framework of an agreement of cooperation signed in June of 2000 by the State Hermitage Museum, St. Petersburg, and the CDLI, all cuneiform tablets of the 3rd and 4th millennia in the Hermitage collection were digitized following procedures discussed in the methods pages of the CDLI. The Digital Hermitage Cuneiform Collection marks the first humanities cooperation of its kind among research and administrative staff from a major cultural heritage institution of the Russian Federation and German and American partners, foremost the Max Planck Institute for the History of Science, Berlin, and the international research project CDLI based at the University of California at Los Angeles. The full catalogue of the collection, the transliterations of documents as well as word and sign glossaries are currently in preparation. Catalogues and transliterations have been completed for the Ur III (ca. 2100-2000 BC) subset, a major part of the early collection that encompasses over 2000 documents.\u003Cbr \/\u003E\r\n\u003Cbr \/\u003E\r\n\u003Cstrong\u003EThe Cuneiform Texts of the 4th and 3rd Millennium in the Hermitage Collection (St. Petersburg)\u003C\/strong\u003E\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Hermitage Collection contains about 2000 cuneiform texts of the 4th and 3rd millennium B.C. These are mainly administrative and legal documents from various archives, but including some royal inscriptions. The latter will be outside the scope of this presentation, so we are left with 1945 administrative texts; the majority of these (1576) are, as usual, Ur III documents, the rest include 2 proto-cuneiform tablets, 343 pre-Sargonic Lagash\/ED IIIb texts, 21 Old Akkadian documents from different sites and 3 Lagash II tablets.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAll the texts found their way into the museum through the antiquities market, or were assumed from private collections. The first cuneiform tablets were purchased by the Royal Hermitage Museum at the end of the 19th century from a well known French antiquities dealer, M. Sivadzhan. The next acquisitions were made by the State Hermitage Museum after the October revolution of 1917. Some tablets were purchased, others simply confiscated from private collectors.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003EThe Likhachev collection\u003C\/strong\u003E\u003Cbr \/\u003E\r\nThe basis of the Hermitage cuneiform collection derives from one of the most famous Russian private collections, that of N. Likhachev. Likhachev was a prominent Russian historian interested in a variety of objects, from Russian icons to ancient manuscripts, Egyptian papyri and Babylonian clay tablets. It is in most cases nearly impossible to follow either the path of tablets to Likhachev\u0026#39;s collection, or their fate after 1917. According to Likhachev\u0026#39;s private correspondence, he purchased cuneiform texts from Sivadzhan and Elias G\u0026eacute;jou in Paris at the end of the 19th and the beginning of the 20th century. Another source was Naaman in London. The tablets are from illicit excavations of Drehem, Djokha and Tello, Drehem especially frequently since 1904.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EWe do not know exactly what happened to Likhachev\u0026#39;s cuneiform collection after the revolution. In 1918 the main part of his collection was transferred to the State Museum of Paleography, and after this museum was closed in 1938 the objects were moved to the Hermitage Museum. But before the move of the private collection into the state museum, Likhachev sold some cuneiform tablets to the Soviet government. As a result, more than 1300 tablets were moved to Moscow at the end of 1917 and later became part of the collection of the Pushkin Fine Arts Museum. Interestingly enough, most of the texts edited by M. Nikolski in 1915 (Old Akkadian and Ur III documents) were among those moved to Moscow. The reason was probably the better state of preservation of these texts in comparison to those left in Petrograd. You will now find only one Ur III tablet, one Old Akkadian document (only obverse is published by Nikolski) and two Ur III clay tags from the Nikolski edition (DV 5 = Nik 2) in the Hermitage collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003EThe Hermitage collection of early cuneiform\u003C\/strong\u003E\u003Cbr \/\u003E\r\nTwo proto-cuneiform texts of unknown provenience in the Hermitage collection were published first by V. Shilejko in 1914 and then by I. Diakonoff in 1940 in Trudy Otdela Vostoka 3, 27ff. The first one is a (stone?) tag (s. now MSVO 4:76) with a hole bored through its long axis, and with four signs on one side; it seems to belong to a well-known group of Uruk IV-period tags (ca. 3300 B.C.).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1908 M. Nikolski edited 322 administrative documents from pre-Sargonic Lagash\/ED IIIb (Nik 1; ca. 2400-2350 B.C.); most of these tablets are now in the Hermitage collection and were republished in 1989 by G. Selz (FAOS 15\/1), with the addition of three texts edited first by A. Riftin in 1929. G. Selz also republished two \u0026quot;Nikolski tablets\u0026quot; in ASJ 16, 207ff. The collection contains 30 unpublished ED IIIb documents. Of the four legal documents of this period in the Hermitage collection (all published by D. Edzard in SRU), the most interesting are two \u0026quot;House sale contracts\u0026quot; (SRU 33 and 34) written on hollow clay nails. Unfortunately, both texts are damaged. The Hermitage possesses two of six known ED IIIb letters (s. B. Kienast - K. Volk, SAB, asGir2 and asGir3). Worth mentioning are a wide variety of tags and labels in our collection, including so called \u0026quot;pisan-dub-ba\u0026quot;-labels (7) and \u0026quot;Tonoliven\u0026quot; of Urukagina (4).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAll but one Old Akkadian tablets in the Hermitage collection remain unpublished. We have 21 documents of this period: seven probably from Umma, four probably from Girsu, the rest of unknown provenience. One tablet of unknown provenience ? a letter written in Sumerian ? is edited by N. Koslova in Fs. Kienast (2003), 239ff. One more letter of the same period in our collection ? probably from Girsu but written in Akkadian ? remains unpublished. A very interesting text dated to the Old Akkadian period deserves mention here, although strictly speaking it does not belong to the sphere of the CDLI project - it is a hexahedral prism with the name of Lugalushumgal, ruler of Lagash, on one face, the other five being inscribed with the first 38 lines of the Standard Profession List (LU A). This object was published by V. Shilejko in 1915 in his book Votive Inscriptions of Sumerian Rulers because he believed it to be an inscription of Lugalushumgal. In the full edition of \u0026quot;Lu2 = sha\u0026quot; (MSL 12), our prism is mentioned as source S from Lagash\/Girsu: the first side contains lines 1-19 of the list, the sides 2, 3, 4 and 5 are completely identical with lines 20-38, side 6 contains the colophon: \u0026quot;Nisaba! Lugalushumgal, scribe, ruler (ensi2) of Lagash.\u0026quot;\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Ur III part of the Hermitage collection contains 1008 texts from Umma, 406 from Drehem, 84 from Girsu, just six from Nippur and none from Ur. I have been unable to identify the provenience of 72 tablets. The modest number of Girsu texts may be due to the way the Likhachev collection was divided after 1917: the Pushkin Museum possesses several hundred Ur III documents from Girsu ? why they were selectively moved to Moscow is unknown. As for different Drehem archives, we have about 25 texts from the archive of Shulgi-simti and two from the Treasury archive, the rest coming from the main royal archive.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003EPublications of the Ur III texts\u003C\/strong\u003E\u003Cbr \/\u003E\r\n1) Occasional publications of some texts by Nikolsky, Shilejko, Struve, Shakhov (all included in new editions).\u003C\/p\u003E\r\n\r\n\u003Cp\u003E2) Since 1991, the project of publishing the entire Ur III collection in 4 volumes:\u003C\/p\u003E\r\n\r\n\u003Ctable\u003E\r\n\t\u003Ctbody\u003E\r\n\t\t\u003Ctr\u003E\r\n\t\t\t\u003Ctd style=\u0022width:30px\u0022\u003E1.\u003C\/td\u003E\r\n\t\t\t\u003Ctd style=\u0022width:521px\u0022\u003EF. D\u0026#39;Agostino. MVN 20 (1997): 215 texts from various sites.\u003C\/td\u003E\r\n\t\t\u003C\/tr\u003E\r\n\t\t\u003Ctr\u003E\r\n\t\t\t\u003Ctd\u003E2.\u003C\/td\u003E\r\n\t\t\t\u003Ctd\u003EN. Koslova. MVN 21 (2000). 412 texts from Umma.\u003C\/td\u003E\r\n\t\t\u003C\/tr\u003E\r\n\t\t\u003Ctr\u003E\r\n\t\t\t\u003Ctd\u003E3.\u003C\/td\u003E\r\n\t\t\t\u003Ctd\u003EN. Koslova. SANTAG 6 (2000). 385 texts from Umma.\u003C\/td\u003E\r\n\t\t\u003C\/tr\u003E\r\n\t\t\u003Ctr\u003E\r\n\t\t\t\u003Ctd\u003E4.\u003C\/td\u003E\r\n\t\t\t\u003Ctd\u003EN. Koslova. The last volume (566 texts) is now being prepared for publication; it will contain Drehem, Girsu and Nippur documents, also texts of unknown provenience, some Umma texts as an addendum to the second and third volumes, and lastly all tags, including, for example, Ur III pisan-dub-ba\u0026#39;s from different administrative centers, and bullae with three or four sides sealed by Lukala from Umma.\u003C\/td\u003E\r\n\t\t\u003C\/tr\u003E\r\n\t\u003C\/tbody\u003E\r\n\u003C\/table\u003E\r\n\r\n\u003Cp\u003E3) There are, finally, four Ur III letters in the Hermitage collection, edited elsewhere (N. Koslova, Fs. Kienast (2003), 239ff.) together with one Old Akkadian letter mentioned above.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003EState of digitization\u003C\/strong\u003E\u003Cbr \/\u003E\r\nDue to the cooperation of the Hermitage Museum with the CDLI, and in particular with its German partner at the Max-Plank Institute for the History of Science, all cuneiform tablets of the 3rd and 4th millennium in the Hermitage collection were scanned in 2000 (M. Schnoepf and N. Koslova).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe full catalogue of the collection, the transliterations of documents as well as the glossaries are being prepared now. The collection, its digital library website, and its integration into the general datasets of the CDLI, will be presented on 30 October 2003 by Natalya Koslova and Peter Damerow at the Proceedings of the 5th Russian Conference on Digital Libraries in St. Petersburg\u0026nbsp;\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"RUS","region_gadm":"RUS.14_1","district_gadm":"RUS.14.1_1","location_longitude_wgs1984":30.3129,"location_latitude_wgs1984":59.941,"location_accuracy":null,"glow_id":103,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":249697,"artifact_id":389684,"collection_id":302}}],"artifact_type":{"id":55,"artifact_type":"colossus","parent_id":16,"description":null},"period":{"id":23,"sequence":25,"period":"Neo-Assyrian (ca. 911-612 BC)","name":"Neo-Assyrian","time_range":"ca. 911-612 BC"},"provenience":{"id":290,"provenience":"Dur-\u0160arrukin (mod. Khorsabad)","location_id":432,"place_id":119,"region_id":6,"description":null},"entities_publication":{"id":276970312,"entity_id":389684,"publication_id":65891,"exact_reference":"009 ex. 015","publication_type":"primary","publication_comments":null,"table_name":"artifacts"}},{"id":416821,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"RINAP 2, Sargon II 009 ex. 023 \u0026 041 ex. 018","elevation":null,"excavation_no":null,"findspot_comments":null,"findspot_square":"Palace, Fa\u00e7ade n, slab 45","museum_no":"OIM A07369 ","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":null,"height":"170.0","width":"23.0","weight":null,"provenience_id":290,"period_id":23,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":55,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":"Sargon2.00.00.00","dates_referenced_comments":"","accounting_period":"","artifact_comments":"human-headed bull colossus","created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":"human-headed bull colossus","is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":994,"collection":"Institute for the Study of Ancient Cultures West Asia \u0026 North Africa Museum, Chicago, Illinois, USA","collection_url":"https:\/\/isac.uchicago.edu\/","slug":null,"description":null,"is_pinned":false,"collection_actor":"Educational institution","collection_holding":"Collection","collection_actor_status":"Group","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"USA","region_gadm":"USA.14_1","district_gadm":"USA.14.16_1","location_longitude_wgs1984":-87.5962,"location_latitude_wgs1984":41.7895,"location_accuracy":null,"glow_id":15,"license_id":null,"license_attribution":"Institute for the Study of Ancient Cultures of the University of Chicago","license_comment":"Photos of artifacts held at the Institute for the Study of Ancient Cultures of the University of Chicago and presented online by the research project Cuneiform Digital Library Initiative are for the non-commercial use of students, scholars, and the public.","_joinData":{"id":276176,"artifact_id":416821,"collection_id":994}}],"artifact_type":{"id":55,"artifact_type":"colossus","parent_id":16,"description":null},"period":{"id":23,"sequence":25,"period":"Neo-Assyrian (ca. 911-612 BC)","name":"Neo-Assyrian","time_range":"ca. 911-612 BC"},"provenience":{"id":290,"provenience":"Dur-\u0160arrukin (mod. Khorsabad)","location_id":432,"place_id":119,"region_id":6,"description":null},"entities_publication":{"id":276970300,"entity_id":416821,"publication_id":65891,"exact_reference":"009 ex. 023 \u0026 041 ex. 018","publication_type":"primary","publication_comments":null,"table_name":"artifacts"}},{"id":424362,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"RINAP 2, Sargon II 009 ex. 031","elevation":null,"excavation_no":null,"findspot_comments":null,"findspot_square":null,"museum_no":"MAH O.0022","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":null,"height":null,"width":null,"weight":null,"provenience_id":290,"period_id":23,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":55,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":"Sargon2.00.00.00","dates_referenced_comments":"","accounting_period":"","artifact_comments":"human-headed bull colossus","created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":"human-headed bull colossus","is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":293,"collection":"Mus\u00e9e d\u0027Art et d\u0027Histoire, Geneva, Switzerland","collection_url":"http:\/\/institutions.ville-geneve.ch\/fr\/mah","slug":null,"description":"\u003Cp\u003EIn 1938 the Mus\u0026eacute;es d\u0026#39;Art et d\u0026#39;Histoire of Geneva acquired nearly a thousand cuneiform documents collected by the Assyriologist Alfred Boissier (1867-1945). This set was classified, studied and cataloged by Edmond Sollberger. His inventory, gradually updated by different curators in charge of the archaeological collections, was integrated into the computerized database of the institution by the Service of Scientific\u0026nbsp;Inventory and Documentation of the MAH.\u003C\/p\u003E\n\n\u003Cp\u003EThrough Professor Antoine Cavigneaux of the University of Geneva, a cooperation agreement was signed between the directorate of the MAH and the Cuneiform Digital Library Initiative (CDLI). The data transfer from the museum to the CDLI was facilitated by \u0026Eacute;milie Pag\u0026eacute;-Perron, a graduate student at Geneva. 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\u0627\u0644\u0627\u0648\u0644\u0649\u060c \u0627\u0644\u062a\u0646\u0642\u064a\u0628\u0627\u062a \u0627\u0644\u0627\u062c\u0646\u0628\u064a\u0629 \u0642\u062f \u062a\u0648\u0642\u0641\u062a\u060c \u0648\u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u062a\u064a \u0639\u0631\u0636\u062a \u0641\u064a \u0627\u0644\u0645\u062a\u062d\u0641 \u0643\u0627\u0646\u062a \u0627\u0642\u0644 \u0645\u0646 \u0663\u066a \u0645\u0646 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0648\u062c\u0648\u062f\u0629 \u0641\u064a\u0647. \u0648\u062e\u0644\u0627\u0644 \u062d\u0631\u0628 \u0627\u0644\u062e\u0644\u064a\u062c \u0627\u0644\u0627\u0648\u0644\u0649 \u0642\u064f\u0635\u0641\u062a \u0628\u0639\u0636 \u0627\u0644\u0628\u0646\u064a\u0627\u062a \u0627\u0644\u0645\u0642\u0627\u0628\u0644\u0629 \u0644\u0644\u0645\u062a\u062d\u0641 \u0645\u0645\u0627 \u0627\u062f\u0649 \u0627\u0644\u0649 \u062a\u0643\u0633\u0631 \u0628\u0639\u0636 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0641\u064a \u0627\u0644\u0645\u0639\u0631\u0636. \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0647\u0645\u0629 \u0646\u0642\u0644\u062a \u0627\u0644\u0649 \u0637\u0627\u0628\u0642 \u062a\u062d\u062a \u0627\u0644\u0627\u0631\u0636 \u0648\u0644\u0643\u0646 \u0627\u0644\u0645\u0626\u0627\u062a \u0645\u0646 \u0647\u0630\u0647 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0642\u062f \u062a\u0636\u0631\u0631\u062a \u0628\u0633\u0628\u0628 \u0641\u064a\u0636\u0627\u0646 \u0627\u0644\u0637\u0627\u0628\u0642 \u0627\u0644\u062a\u062d\u062a\u064a \u0628\u0627\u0644\u0645\u0627\u0621.\u003C\/p\u003E\r\n\r\n\u003Cp dir=\u0022rtl\u0022 style=\u0022text-align: start;\u0022\u003E\u0641\u064a \u0634\u0628\u0627\u0637 \u0627\u0644\u0627\u0648\u0644 \u0645\u0646 \u0639\u0627\u0645 \u0662\u0660\u0660\u0663 \u0627\u063a\u0644\u0642 \u0627\u0644\u0645\u062a\u062d\u0641 \u0631\u0633\u0645\u064a\u0627\u060c \u0648\u0641\u064a \u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":155833,"artifact_id":285676,"collection_id":1100}}],"artifact_type":{"id":2,"artifact_type":"cylinder","parent_id":null,"description":"Clay cylinders were one type of clay object bearing inscriptions, especially royal inscriptions. We find \u2018ordinary\u2019 cylinders whose bases are roughly circular and symmetrical and sides are relatively straight; and barrel cylinders which typically have a bulge in the centre. The inscription was usually parallel to the axis of the cylinder unlike a prism where the inscription is perpendicular to the axis. Both types were used in foundation deposits, and may have derived from Old Babylonian \u2018headless\u2019 cones. Cylinders are attested from the third millennium, such as the \u003Ca href=\u0022\/P431881\u0022\u003Ecylinders of Gudea\u003C\/a\u003E, ruler of Lagash, and first millennium, such as the \u003Ca href=\u0022\/P386349\u0022\u003ECyrus cylinder\u003C\/a\u003E from the Achaemenid period. While there are examples of cylinders from the Neo-Assyrian kings, like the \u003Ca href=\u0022\/P450274\u0022\u003Ecylinders of Sennacherib\u003C\/a\u003E, this object type was especially favoured by Neo-Babylonian kings, such as the \u003Ca href=\u0022\/P386348\u0022\u003Ecylinders of Nabonidus\u003C\/a\u003E. Cylinders were also used in scribal schools as a medium for writing exercises during the Old Babylonian period. 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. 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Its value is further increased by the presence of the Bodleian Library\u0026rsquo;s collection of cuneiform tablets. The Ashmolean collection includes tablets allocated to the Museum after excavations by the Oxford-Field Museum Expedition to Kish, Iraq (1923-1933). They constitute the largest provenienced group within the collection. In addition, there are gifts and purchases of tablets, usually without reliable information on their original source.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EStephen Langdon (Shillito Reader 1911-1937) did more than any other single person to develop the tablet collection. Langdon enjoyed the patronage of Herbert Weld-Blundell, who had traveled widely in Africa and the Middle East, and led an expedition to Persepolis in the late 19th Century. He presented his collection to the University in 1921-1922, and subsequently supported the Oxford-Field Museum Expedition to Kish, which Langdon directed. Langdon\u0026rsquo;s enduring legacy was the\u0026nbsp;\u003Cem\u003EOxford Editions of Cuneiform Texts\u003C\/em\u003E\u0026nbsp;(\u003Cem\u003EOECT\u003C\/em\u003E) founded in 1923, in the first instance to publish the Weld-Blundell Collection in volumes 1-3, the latter undertaken by Godfrey Driver.\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;2 presented what subsequently became known as the \u0026ldquo;Weld-Blundell prism,\u0026rdquo; featuring a well-preserved version of the Sumerian King List.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cimg src=\u0022\/dl\/tn_photo\/P384786.jpg\u0022 \/\u003E\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Weld-Blundell prism\u003C\/p\u003E\r\n\r\n\u003Cp\u003EReginald Campbell Thompson\u0026rsquo;s brief tenure as Shillito Reader (1937-1941) coincided with the evacuation of the Ashmolean Museum collections during the Second World War. Professor Oliver Gurney (Shillito Reader 1945-1978) devoted much attention to the Ashmolean\u0026#39;s tablet collection. He joined broken tablet fragments from Kish, and prepared a card index of the whole collection to encourage specialist scholars to research and publish the inscribed material in the Ashmolean Museum. He contributed many copies and identifications of lexical texts to a fundamental publication,\u0026nbsp;\u003Cem\u003EMaterials for the Sumerian Lexicon\u003C\/em\u003E. A volume on Sumerian Literary texts by Oliver Gurney and Samuel Kramer was published as\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;5 in 1976, followed by Dr Gilbert McEwan\u0026rsquo;s publication of Hellenistic texts in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;9 (1982) and Late Babylonian texts in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;10 (1984). Professor Gurney published the literary texts with the addition of some non-literary ones in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;11 (1989). Dr. Francis Joann\u0026egrave;s copied the neo-Babylonian texts in the Bodleian Library collection, published as\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;12 (1990).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EDr Stephanie Dalley taught Akkadian and Sumerian at the University of Oxford from 1979-2007, receiving the title Shillito Senior Research Fellow in 1988. Dr Dalley and Professor Norman Yoffee prepared a volume of Old Babylonian texts, primarily from Kish, also identifying an important group of texts from the Diyala region in the Museum\u0026rsquo;s collection, published as\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;13 (1991). Dr Dalley presented further Old Babylonian texts from Larsa, Sippir, Kish and Lagaba in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;15, with some copies contributed by Eleanor Robson and Tina Breckwoldt (2005).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAlthough\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;is the main publication series for the inscribed material in the Ashmolean Museum, Eleanor Robson\u0026rsquo;s published study of Mesopotamian mathematics, 2100-1600 BC (\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;14, 1999), mostly drew on sources from other collections, but included some copies of Ashmolean tablets eventually published in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;15.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESome studies of the Ashmolean collections have been published elsewhere. An important piece of work was Prof. Ignace Gelb\u0026rsquo;s Sargonic Texts in the Ashmolean Museum, Oxford (Chicago, 1970). For well over twenty years, Dr. Jean-Pierre Gr\u0026eacute;goire worked on the Sumerian administrative texts in the collection, resulting in the publication of\u0026nbsp;\u003Cem\u003EAAICAB\u003C\/em\u003E\u0026nbsp;1\/1-4 (2000-2002). This followed his previous republication of the tablets from Jemdet Nasr in the Museum with Robert K. Englund (\u003Cem\u003EMSVO\u003C\/em\u003E\u0026nbsp;1; Berlin, 1991).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe publication of the collections is now largely complete, although it is hoped that a continuing appraisal of the collections and the digitization of the archive will identify previously unpublished texts, and stimulate new readings and interpretations. The collections continue to be an important resource for specialist researchers, and are frequently used for teaching purposes by staff of the Oriental Institute, University of Oxford. Over the years, the curatorial staff and conservation laboratories of the Department of Antiquities, and the Photographic Studio of the Museum, as well as the staff of the Ashmolean Library and the Griffith Institute have contributed their specialist assistance in various ways. The digital age has now ushered in opportunities for wider dissemination of the Ashmolean collections. With the assistance of Dr. Jacob Dahl and Nathanael Shelley (on behalf of CDLI), digitisation of the Ashmolean tablet collections has been initiated and is a continuing process.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cem\u003EText based on Roger Moorey\u0026rsquo;s preface in\u0026nbsp;\u003Cem\u003EAAICAB\u003C\/em\u003E\u0026nbsp;1 (2000), with additions by Jack Green and Stephanie Dalley.\u003C\/em\u003E\u003C\/p\u003E\r\n","is_pinned":true,"collection_actor":null,"collection_holding":null,"collection_actor_status":null,"collection_holding_status":null,"collection_is_private":false,"country_iso":"GBR","region_gadm":"GBR.1_1","district_gadm":"GBR.1.69_1","location_longitude_wgs1984":-1.26007,"location_latitude_wgs1984":51.7554,"location_accuracy":null,"glow_id":null,"license_id":null,"license_attribution":"Ashmolean Museum, University of Oxford","license_comment":"The digitized images of photographs and original tablets presented in the joint database of the Ashmolean Museum of Art and Archaeology, Oxford, UK, and the Cuneiform Digital Library Initiative, Los Angeles\/Berlin, are for the personal, non-profit use of students, scholars, and the public. All such images are subject to copyright laws and are the exclusive property of the Ashmolean Museum of Art and Archaeology. Commercial use or publication of these images is strictly prohibited without prior written permission from the Ashmolean Museum.","_joinData":{"id":317276,"artifact_id":468804,"collection_id":1418}}],"artifact_type":{"id":13,"artifact_type":"brick","parent_id":null,"description":"Bricks are rectangular blocks made from combinations of clay, water, and other binding ingredients such as straw. The earliest bricks in the Ancient Near East were handmade and sundried, but as technology developed bricks were produced in moulds. Bricks were used as a primary building material for private dwellings, as well as large scale structures including temples, palaces, and city walls. Some bricks were inscribed with royal inscriptions by hand or, from the Old Akkadian period, by means of a \u2018brick stamp\u2019\u2014a stamp with an inscription in the reverse so that when stamped on the brick the text was correctly oriented. Bricks with \u003Ca href=\u0022\/P405483\u0022\u003Eimpressions\u003C\/s\u003E and \u003Ca href=\u0022\/P452075\u0022\u003Einscriptions\u003C\/a\u003E are included in this category; the \u003Ca href=\u0022\/P216581\u0022\u003Ebrick\u003C\/a\u003E stamp implement is included in the \u2018Tool\u2019 category."},"period":{"id":23,"sequence":25,"period":"Neo-Assyrian (ca. 911-612 BC)","name":"Neo-Assyrian","time_range":"ca. 911-612 BC"},"provenience":{"id":184,"provenience":"Kish (mod. 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Its value is further increased by the presence of the Bodleian Library\u0026rsquo;s collection of cuneiform tablets. The Ashmolean collection includes tablets allocated to the Museum after excavations by the Oxford-Field Museum Expedition to Kish, Iraq (1923-1933). They constitute the largest provenienced group within the collection. In addition, there are gifts and purchases of tablets, usually without reliable information on their original source.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EStephen Langdon (Shillito Reader 1911-1937) did more than any other single person to develop the tablet collection. Langdon enjoyed the patronage of Herbert Weld-Blundell, who had traveled widely in Africa and the Middle East, and led an expedition to Persepolis in the late 19th Century. He presented his collection to the University in 1921-1922, and subsequently supported the Oxford-Field Museum Expedition to Kish, which Langdon directed. Langdon\u0026rsquo;s enduring legacy was the\u0026nbsp;\u003Cem\u003EOxford Editions of Cuneiform Texts\u003C\/em\u003E\u0026nbsp;(\u003Cem\u003EOECT\u003C\/em\u003E) founded in 1923, in the first instance to publish the Weld-Blundell Collection in volumes 1-3, the latter undertaken by Godfrey Driver.\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;2 presented what subsequently became known as the \u0026ldquo;Weld-Blundell prism,\u0026rdquo; featuring a well-preserved version of the Sumerian King List.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cimg src=\u0022\/dl\/tn_photo\/P384786.jpg\u0022 \/\u003E\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Weld-Blundell prism\u003C\/p\u003E\r\n\r\n\u003Cp\u003EReginald Campbell Thompson\u0026rsquo;s brief tenure as Shillito Reader (1937-1941) coincided with the evacuation of the Ashmolean Museum collections during the Second World War. Professor Oliver Gurney (Shillito Reader 1945-1978) devoted much attention to the Ashmolean\u0026#39;s tablet collection. He joined broken tablet fragments from Kish, and prepared a card index of the whole collection to encourage specialist scholars to research and publish the inscribed material in the Ashmolean Museum. He contributed many copies and identifications of lexical texts to a fundamental publication,\u0026nbsp;\u003Cem\u003EMaterials for the Sumerian Lexicon\u003C\/em\u003E. A volume on Sumerian Literary texts by Oliver Gurney and Samuel Kramer was published as\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;5 in 1976, followed by Dr Gilbert McEwan\u0026rsquo;s publication of Hellenistic texts in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;9 (1982) and Late Babylonian texts in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;10 (1984). Professor Gurney published the literary texts with the addition of some non-literary ones in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;11 (1989). Dr. Francis Joann\u0026egrave;s copied the neo-Babylonian texts in the Bodleian Library collection, published as\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;12 (1990).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EDr Stephanie Dalley taught Akkadian and Sumerian at the University of Oxford from 1979-2007, receiving the title Shillito Senior Research Fellow in 1988. Dr Dalley and Professor Norman Yoffee prepared a volume of Old Babylonian texts, primarily from Kish, also identifying an important group of texts from the Diyala region in the Museum\u0026rsquo;s collection, published as\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;13 (1991). Dr Dalley presented further Old Babylonian texts from Larsa, Sippir, Kish and Lagaba in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;15, with some copies contributed by Eleanor Robson and Tina Breckwoldt (2005).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAlthough\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;is the main publication series for the inscribed material in the Ashmolean Museum, Eleanor Robson\u0026rsquo;s published study of Mesopotamian mathematics, 2100-1600 BC (\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;14, 1999), mostly drew on sources from other collections, but included some copies of Ashmolean tablets eventually published in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;15.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESome studies of the Ashmolean collections have been published elsewhere. An important piece of work was Prof. Ignace Gelb\u0026rsquo;s Sargonic Texts in the Ashmolean Museum, Oxford (Chicago, 1970). For well over twenty years, Dr. Jean-Pierre Gr\u0026eacute;goire worked on the Sumerian administrative texts in the collection, resulting in the publication of\u0026nbsp;\u003Cem\u003EAAICAB\u003C\/em\u003E\u0026nbsp;1\/1-4 (2000-2002). This followed his previous republication of the tablets from Jemdet Nasr in the Museum with Robert K. Englund (\u003Cem\u003EMSVO\u003C\/em\u003E\u0026nbsp;1; Berlin, 1991).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe publication of the collections is now largely complete, although it is hoped that a continuing appraisal of the collections and the digitization of the archive will identify previously unpublished texts, and stimulate new readings and interpretations. The collections continue to be an important resource for specialist researchers, and are frequently used for teaching purposes by staff of the Oriental Institute, University of Oxford. Over the years, the curatorial staff and conservation laboratories of the Department of Antiquities, and the Photographic Studio of the Museum, as well as the staff of the Ashmolean Library and the Griffith Institute have contributed their specialist assistance in various ways. The digital age has now ushered in opportunities for wider dissemination of the Ashmolean collections. With the assistance of Dr. Jacob Dahl and Nathanael Shelley (on behalf of CDLI), digitisation of the Ashmolean tablet collections has been initiated and is a continuing process.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cem\u003EText based on Roger Moorey\u0026rsquo;s preface in\u0026nbsp;\u003Cem\u003EAAICAB\u003C\/em\u003E\u0026nbsp;1 (2000), with additions by Jack Green and Stephanie Dalley.\u003C\/em\u003E\u003C\/p\u003E\r\n","is_pinned":true,"collection_actor":null,"collection_holding":null,"collection_actor_status":null,"collection_holding_status":null,"collection_is_private":false,"country_iso":"GBR","region_gadm":"GBR.1_1","district_gadm":"GBR.1.69_1","location_longitude_wgs1984":-1.26007,"location_latitude_wgs1984":51.7554,"location_accuracy":null,"glow_id":null,"license_id":null,"license_attribution":"Ashmolean Museum, University of Oxford","license_comment":"The digitized images of photographs and original tablets presented in the joint database of the Ashmolean Museum of Art and Archaeology, Oxford, UK, and the Cuneiform Digital Library Initiative, Los Angeles\/Berlin, are for the personal, non-profit use of students, scholars, and the public. All such images are subject to copyright laws and are the exclusive property of the Ashmolean Museum of Art and Archaeology. Commercial use or publication of these images is strictly prohibited without prior written permission from the Ashmolean Museum.","_joinData":{"id":317277,"artifact_id":468805,"collection_id":1418}}],"artifact_type":{"id":13,"artifact_type":"brick","parent_id":null,"description":"Bricks are rectangular blocks made from combinations of clay, water, and other binding ingredients such as straw. The earliest bricks in the Ancient Near East were handmade and sundried, but as technology developed bricks were produced in moulds. Bricks were used as a primary building material for private dwellings, as well as large scale structures including temples, palaces, and city walls. Some bricks were inscribed with royal inscriptions by hand or, from the Old Akkadian period, by means of a \u2018brick stamp\u2019\u2014a stamp with an inscription in the reverse so that when stamped on the brick the text was correctly oriented. Bricks with \u003Ca href=\u0022\/P405483\u0022\u003Eimpressions\u003C\/s\u003E and \u003Ca href=\u0022\/P452075\u0022\u003Einscriptions\u003C\/a\u003E are included in this category; the \u003Ca href=\u0022\/P216581\u0022\u003Ebrick\u003C\/a\u003E stamp implement is included in the \u2018Tool\u2019 category."},"period":{"id":23,"sequence":25,"period":"Neo-Assyrian (ca. 911-612 BC)","name":"Neo-Assyrian","time_range":"ca. 911-612 BC"},"provenience":{"id":184,"provenience":"Kish (mod. 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Its value is further increased by the presence of the Bodleian Library\u0026rsquo;s collection of cuneiform tablets. The Ashmolean collection includes tablets allocated to the Museum after excavations by the Oxford-Field Museum Expedition to Kish, Iraq (1923-1933). They constitute the largest provenienced group within the collection. In addition, there are gifts and purchases of tablets, usually without reliable information on their original source.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EStephen Langdon (Shillito Reader 1911-1937) did more than any other single person to develop the tablet collection. Langdon enjoyed the patronage of Herbert Weld-Blundell, who had traveled widely in Africa and the Middle East, and led an expedition to Persepolis in the late 19th Century. He presented his collection to the University in 1921-1922, and subsequently supported the Oxford-Field Museum Expedition to Kish, which Langdon directed. Langdon\u0026rsquo;s enduring legacy was the\u0026nbsp;\u003Cem\u003EOxford Editions of Cuneiform Texts\u003C\/em\u003E\u0026nbsp;(\u003Cem\u003EOECT\u003C\/em\u003E) founded in 1923, in the first instance to publish the Weld-Blundell Collection in volumes 1-3, the latter undertaken by Godfrey Driver.\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;2 presented what subsequently became known as the \u0026ldquo;Weld-Blundell prism,\u0026rdquo; featuring a well-preserved version of the Sumerian King List.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cimg src=\u0022\/dl\/tn_photo\/P384786.jpg\u0022 \/\u003E\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Weld-Blundell prism\u003C\/p\u003E\r\n\r\n\u003Cp\u003EReginald Campbell Thompson\u0026rsquo;s brief tenure as Shillito Reader (1937-1941) coincided with the evacuation of the Ashmolean Museum collections during the Second World War. Professor Oliver Gurney (Shillito Reader 1945-1978) devoted much attention to the Ashmolean\u0026#39;s tablet collection. He joined broken tablet fragments from Kish, and prepared a card index of the whole collection to encourage specialist scholars to research and publish the inscribed material in the Ashmolean Museum. He contributed many copies and identifications of lexical texts to a fundamental publication,\u0026nbsp;\u003Cem\u003EMaterials for the Sumerian Lexicon\u003C\/em\u003E. A volume on Sumerian Literary texts by Oliver Gurney and Samuel Kramer was published as\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;5 in 1976, followed by Dr Gilbert McEwan\u0026rsquo;s publication of Hellenistic texts in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;9 (1982) and Late Babylonian texts in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;10 (1984). Professor Gurney published the literary texts with the addition of some non-literary ones in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;11 (1989). Dr. Francis Joann\u0026egrave;s copied the neo-Babylonian texts in the Bodleian Library collection, published as\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;12 (1990).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EDr Stephanie Dalley taught Akkadian and Sumerian at the University of Oxford from 1979-2007, receiving the title Shillito Senior Research Fellow in 1988. Dr Dalley and Professor Norman Yoffee prepared a volume of Old Babylonian texts, primarily from Kish, also identifying an important group of texts from the Diyala region in the Museum\u0026rsquo;s collection, published as\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;13 (1991). Dr Dalley presented further Old Babylonian texts from Larsa, Sippir, Kish and Lagaba in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;15, with some copies contributed by Eleanor Robson and Tina Breckwoldt (2005).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAlthough\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;is the main publication series for the inscribed material in the Ashmolean Museum, Eleanor Robson\u0026rsquo;s published study of Mesopotamian mathematics, 2100-1600 BC (\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;14, 1999), mostly drew on sources from other collections, but included some copies of Ashmolean tablets eventually published in\u0026nbsp;\u003Cem\u003EOECT\u003C\/em\u003E\u0026nbsp;15.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESome studies of the Ashmolean collections have been published elsewhere. An important piece of work was Prof. Ignace Gelb\u0026rsquo;s Sargonic Texts in the Ashmolean Museum, Oxford (Chicago, 1970). For well over twenty years, Dr. Jean-Pierre Gr\u0026eacute;goire worked on the Sumerian administrative texts in the collection, resulting in the publication of\u0026nbsp;\u003Cem\u003EAAICAB\u003C\/em\u003E\u0026nbsp;1\/1-4 (2000-2002). This followed his previous republication of the tablets from Jemdet Nasr in the Museum with Robert K. Englund (\u003Cem\u003EMSVO\u003C\/em\u003E\u0026nbsp;1; Berlin, 1991).\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe publication of the collections is now largely complete, although it is hoped that a continuing appraisal of the collections and the digitization of the archive will identify previously unpublished texts, and stimulate new readings and interpretations. The collections continue to be an important resource for specialist researchers, and are frequently used for teaching purposes by staff of the Oriental Institute, University of Oxford. Over the years, the curatorial staff and conservation laboratories of the Department of Antiquities, and the Photographic Studio of the Museum, as well as the staff of the Ashmolean Library and the Griffith Institute have contributed their specialist assistance in various ways. The digital age has now ushered in opportunities for wider dissemination of the Ashmolean collections. With the assistance of Dr. Jacob Dahl and Nathanael Shelley (on behalf of CDLI), digitisation of the Ashmolean tablet collections has been initiated and is a continuing process.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cem\u003EText based on Roger Moorey\u0026rsquo;s preface in\u0026nbsp;\u003Cem\u003EAAICAB\u003C\/em\u003E\u0026nbsp;1 (2000), with additions by Jack Green and Stephanie Dalley.\u003C\/em\u003E\u003C\/p\u003E\r\n","is_pinned":true,"collection_actor":null,"collection_holding":null,"collection_actor_status":null,"collection_holding_status":null,"collection_is_private":false,"country_iso":"GBR","region_gadm":"GBR.1_1","district_gadm":"GBR.1.69_1","location_longitude_wgs1984":-1.26007,"location_latitude_wgs1984":51.7554,"location_accuracy":null,"glow_id":null,"license_id":null,"license_attribution":"Ashmolean Museum, University of Oxford","license_comment":"The digitized images of photographs and original tablets presented in the joint database of the Ashmolean Museum of Art and Archaeology, Oxford, UK, and the Cuneiform Digital Library Initiative, Los Angeles\/Berlin, are for the personal, non-profit use of students, scholars, and the public. 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Located on the third floor of the Sterling Memorial Library, the\u0026nbsp;collection\u0026nbsp;houses over 45,000 artifacts. While the bulk of the\u0026nbsp;collection\u0026nbsp;is comprised of inscribed artifacts such as cuneiform tablets, it also houses many other artifacts from the ancient Near East, most notably cylinder and stamp seals, but also clay figurines, stone sculpture, and so forth.\u0026nbsp;It is one of the largest\u0026nbsp;collections\u0026nbsp;of seals and textual material from ancient Mesopotamia in North America and ranks among the leading\u0026nbsp;collections\u0026nbsp;in the world.\u0026nbsp;A complete reference library, a seminar room, and work space for visiting scholars invites researchers worldwide to conduct their research on primary materials.\u0026nbsp;The\u0026nbsp;Collection\u0026nbsp;aims to preserve, publish, and make available for everyone the artifacts it houses. In 2017 the Yale Babylonian\u0026nbsp;Collection\u0026nbsp;became formally affiliated with the\u0026nbsp;\u003Ca href=\u0022https:\/\/peabody.yale.edu\/\u0022 target=\u0022_blank\u0022\u003EYale Peabody Museum of Natural History\u003C\/a\u003E\u0026nbsp; This affiliation has opened up improved avenues for public exhibitions, as well as easy online dissemination of\u0026nbsp;collection\u0026nbsp;materials.\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThrough generous support from the Council of Library and Information Resources (CLIR) and the National Endowment of the Humanities, two major digitization efforts are currently under way: By 2022 the entire\u0026nbsp;collection\u0026nbsp;of cuneiform artifacts will be digitized using high-resolution HDR photography. Approximately 25 % will also be captured employing a Reflectance Transformation Imaging (RTI) camera dome, which was built by the Electronics and Computer Science Department at\u0026nbsp;the University of Southampton. 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Apart from the CDLI, all images are available on the\u0026nbsp;\u003Ca href=\u0022https:\/\/collections.peabody.yale.edu\/search\/Search\/Advanced?collection=Anthropology\u0026amp;searchText2=BC\u0026amp;searchField2=CatalogNumber\u0026amp;matchTerms=AND\u0022 target=\u0022_blank\u0022\u003EPeabody Museum\u0026rsquo;s search portal\u003C\/a\u003E. 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Bricks with \u003Ca href=\u0022\/P405483\u0022\u003Eimpressions\u003C\/s\u003E and \u003Ca href=\u0022\/P452075\u0022\u003Einscriptions\u003C\/a\u003E are included in this category; the \u003Ca href=\u0022\/P216581\u0022\u003Ebrick\u003C\/a\u003E stamp implement is included in the \u2018Tool\u2019 category."},"period":{"id":23,"sequence":25,"period":"Neo-Assyrian (ca. 911-612 BC)","name":"Neo-Assyrian","time_range":"ca. 911-612 BC"},"provenience":{"id":105,"provenience":"Uruk (mod. 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For foundation pegs, see the \u2018Figure\u2019 category."},"period":{"id":23,"sequence":25,"period":"Neo-Assyrian (ca. 911-612 BC)","name":"Neo-Assyrian","time_range":"ca. 911-612 BC"},"provenience":{"id":211,"provenience":"Assur (mod. 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. 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