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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":309821,"artifact_id":455255,"collection_id":1100}}],"artifact_type":{"id":94,"artifact_type":"Cylinder seal","parent_id":12,"description":null},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93636,"artifact_id":217258,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116923,"entity_id":217258,"publication_id":61613,"exact_reference":"2","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217259,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 03","elevation":null,"excavation_no":"Kh 1934 T049","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031358","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"26.0","height":"76.0","width":"94.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":null,"dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93637,"artifact_id":217259,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93639,"artifact_id":217261,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116926,"entity_id":217261,"publication_id":61613,"exact_reference":"5","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217262,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 06","elevation":null,"excavation_no":"Kh 1934 T021","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031226","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"21.0","height":"75.0","width":"52.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":null,"dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. 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\u0644\u0644\u0628\u0639\u062b\u0627\u062a \u0627\u0644\u0627\u062b\u0631\u064a\u0629.\u003C\/p\u003E\r\n\r\n\u003Cp dir=\u0022rtl\u0022 style=\u0022text-align: start;\u0022\u003E\u0641\u064a \u0628\u062f\u0627\u064a\u0629 \u0627\u0644\u062d\u0631\u0628 \u0627\u0644\u0639\u0627\u0644\u0645\u064a\u0629 \u0627\u0644\u062b\u0627\u0646\u064a\u0629\u0641\u064a \u0627\u0644\u062b\u0644\u0627\u062b\u064a\u0646 \u0645\u0646 \u0623\u064f\u0643\u062a\u0648\u0628\u0631 \u0633\u0646\u0629 \u0661\u0669\u0661\u0668 \u062a\u0648\u0642\u0641 \u0627\u0644\u062a\u0646\u0642\u064a\u0628 \u0639\u0646 \u0627\u0644\u0627\u062b\u0627\u0631. \u0648\u0644\u0643\u0646 \u0627\u062a\u0641\u0627\u0642\u064a\u0629 \u0645\u062f\u0631\u0633 \u062c\u0644\u0628\u062a \u0646\u0647\u0627\u064a\u0629 \u0644\u0644\u062d\u0631\u0628 \u0641\u064a \u0627\u0644\u0634\u0631\u0642 \u0627\u0644\u0627\u0648\u0633\u0637 \u0648\u0627\u0644\u0628\u0631\u064a\u0637\u0627\u0646\u064a\u0648\u0646 \u0627\u0635\u0628\u062d\u0648\u0627 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93643,"artifact_id":217265,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116930,"entity_id":217265,"publication_id":61613,"exact_reference":"9","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217266,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 10","elevation":null,"excavation_no":"Kh 1934 T031","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031234","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"22.0","height":"86.0","width":"50.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":null,"dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93644,"artifact_id":217266,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93646,"artifact_id":217268,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93647,"artifact_id":217269,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. 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\u0627\u0644\u0627\u0648\u0644\u0649\u060c \u0627\u0644\u062a\u0646\u0642\u064a\u0628\u0627\u062a \u0627\u0644\u0627\u062c\u0646\u0628\u064a\u0629 \u0642\u062f \u062a\u0648\u0642\u0641\u062a\u060c \u0648\u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u062a\u064a \u0639\u0631\u0636\u062a \u0641\u064a \u0627\u0644\u0645\u062a\u062d\u0641 \u0643\u0627\u0646\u062a \u0627\u0642\u0644 \u0645\u0646 \u0663\u066a \u0645\u0646 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0648\u062c\u0648\u062f\u0629 \u0641\u064a\u0647. \u0648\u062e\u0644\u0627\u0644 \u062d\u0631\u0628 \u0627\u0644\u062e\u0644\u064a\u062c \u0627\u0644\u0627\u0648\u0644\u0649 \u0642\u064f\u0635\u0641\u062a \u0628\u0639\u0636 \u0627\u0644\u0628\u0646\u064a\u0627\u062a \u0627\u0644\u0645\u0642\u0627\u0628\u0644\u0629 \u0644\u0644\u0645\u062a\u062d\u0641 \u0645\u0645\u0627 \u0627\u062f\u0649 \u0627\u0644\u0649 \u062a\u0643\u0633\u0631 \u0628\u0639\u0636 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0641\u064a \u0627\u0644\u0645\u0639\u0631\u0636. \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0647\u0645\u0629 \u0646\u0642\u0644\u062a \u0627\u0644\u0649 \u0637\u0627\u0628\u0642 \u062a\u062d\u062a \u0627\u0644\u0627\u0631\u0636 \u0648\u0644\u0643\u0646 \u0627\u0644\u0645\u0626\u0627\u062a \u0645\u0646 \u0647\u0630\u0647 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0642\u062f \u062a\u0636\u0631\u0631\u062a \u0628\u0633\u0628\u0628 \u0641\u064a\u0636\u0627\u0646 \u0627\u0644\u0637\u0627\u0628\u0642 \u0627\u0644\u062a\u062d\u062a\u064a \u0628\u0627\u0644\u0645\u0627\u0621.\u003C\/p\u003E\r\n\r\n\u003Cp dir=\u0022rtl\u0022 style=\u0022text-align: start;\u0022\u003E\u0641\u064a \u0634\u0628\u0627\u0637 \u0627\u0644\u0627\u0648\u0644 \u0645\u0646 \u0639\u0627\u0645 \u0662\u0660\u0660\u0663 \u0627\u063a\u0644\u0642 \u0627\u0644\u0645\u062a\u062d\u0641 \u0631\u0633\u0645\u064a\u0627\u060c \u0648\u0641\u064a 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93651,"artifact_id":217273,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93655,"artifact_id":217277,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93657,"artifact_id":217279,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93659,"artifact_id":217281,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93661,"artifact_id":217283,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93663,"artifact_id":217285,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. 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\u0648\u0622\u062e\u0631\u064a\u0646 \u0627\u0644\u0649 \u0627\u0644\u0639\u0631\u0627\u0642 \u0648\u0643\u0627\u0646\u062a \u0647\u0630\u0647 \u0627\u0644\u0628\u0639\u062b\u0629 \u0623\u0648\u0644 \u0645\u0646 \u0643\u0634\u0641 \u0644\u0644\u063a\u0631\u0628 \u0627\u0644\u063a\u0646\u0649 \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0627\u0644\u0645\u0627\u062f\u064a \u0644\u0628\u0644\u0627\u062f \u0645\u0627\u0628\u064a\u0646 \u0627\u0644\u0646\u0647\u0631\u064a\u0646.\u003C\/p\u003E\r\n\r\n\u003Cp dir=\u0022rtl\u0022 style=\u0022text-align: start;\u0022\u003E\u0627\u0644\u0642\u0648\u0627\u0646\u064a\u0646 \u0627\u0644\u0639\u062b\u0645\u0627\u0646\u064a\u0629 \u0641\u064a \u0630\u0644\u0643 \u0627\u0644\u0648\u0642\u062a \u0641\u064a\u0645\u0627 \u064a\u062a\u0639\u0644\u0642 \u0628\u0627\u0644\u062a\u0639\u0627\u0645\u0644 \u0645\u0639 \u0627\u0644\u062a\u062d\u0641 \u0627\u0644\u0627\u062b\u0631\u064a\u0629 \u062a\u0633\u0645\u062d \u0644\u0644\u0628\u0627\u062d\u062b\u064a\u0646 \u0639\u0646 \u0627\u0644\u0627\u062b\u0627\u0631 \u0628\u0646\u0642\u0644 \u0643\u0644 \u0645\u0627\u0648\u062c\u062f\u0648\u0647 \u0627\u0644\u0649 \u0628\u0644\u0627\u062f\u0647\u0645. \u0648\u0644\u0643\u0646 \u0641\u064a \u0639\u0627\u0645 \u0661\u0668\u0668\u0661 \u0639\u062b\u0645\u0627\u0646 \u062d\u0645\u062f\u064a \u0628\u064a\u060c \u0623\u0648\u0644 \u0645\u062f\u064a\u0631 \u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0627\u062b\u0627\u0631 \u0641\u064a \u0627\u0633\u0637\u0646\u0628\u0648\u0644\u060c \u0637\u0644\u0628 \u0627\u0646 \u062a\u0642\u0633\u0645 \u0627\u0644\u0645\u062a\u062d\u0648\u0641\u0627\u062a \u0627\u0644\u0627\u062b\u0631\u064a\u0629 \u0627\u0644\u062a\u064a \u062a\u0648\u062c\u062f \u0628\u064a\u0646 \u0627\u0633\u0637\u0646\u0628\u0648\u0644 \u0648\u0627\u0644\u0628\u0644\u0627\u062f \u0627\u0644\u0627\u062c\u0646\u0628\u064a\u0629 \u0627\u0644\u0631\u0627\u0639\u064a\u0629 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93676,"artifact_id":217298,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116963,"entity_id":217298,"publication_id":61613,"exact_reference":"42","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217299,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 43","elevation":null,"excavation_no":"Kh 1934 T029","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031356","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"22.0","height":"50.0","width":"42.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":null,"dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93677,"artifact_id":217299,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116964,"entity_id":217299,"publication_id":61613,"exact_reference":"43","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217300,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 44","elevation":null,"excavation_no":"Kh 1934 T005","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031340","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"15.0","height":"35.0","width":"31.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":null,"dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93678,"artifact_id":217300,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116965,"entity_id":217300,"publication_id":61613,"exact_reference":"44","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217301,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 45","elevation":null,"excavation_no":"Kh 1934 T006","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031341","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"13.0","height":"30.0","width":"29.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":null,"dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93679,"artifact_id":217301,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. 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Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116966,"entity_id":217301,"publication_id":61613,"exact_reference":"45","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217302,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 46","elevation":null,"excavation_no":"Kh 1934 T036","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"OIM A22025","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"24.0","height":"104.0","width":"81.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":"Naramsin.13.00.00","dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":994,"collection":"Institute for the Study of Ancient Cultures West Asia \u0026 North Africa Museum, Chicago, Illinois, USA","collection_url":"https:\/\/isac.uchicago.edu\/","slug":null,"description":null,"is_pinned":false,"collection_actor":"Educational institution","collection_holding":"Collection","collection_actor_status":"Group","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"USA","region_gadm":"USA.14_1","district_gadm":"USA.14.16_1","location_longitude_wgs1984":-87.5962,"location_latitude_wgs1984":41.7895,"location_accuracy":null,"glow_id":15,"license_id":null,"license_attribution":"Institute for the Study of Ancient Cultures of the University of Chicago","license_comment":"Photos of artifacts held at the Institute for the Study of Ancient Cultures of the University of Chicago and presented online by the research project Cuneiform Digital Library Initiative are for the non-commercial use of students, scholars, and the public.","_joinData":{"id":93680,"artifact_id":217302,"collection_id":994}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93682,"artifact_id":217304,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116969,"entity_id":217304,"publication_id":61613,"exact_reference":"48","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217305,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 49","elevation":null,"excavation_no":"Kh 1934 T009","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031344","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"14.0","height":"37.0","width":"34.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":null,"dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93683,"artifact_id":217305,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116970,"entity_id":217305,"publication_id":61613,"exact_reference":"49","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217306,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 50","elevation":null,"excavation_no":"Kh 1934 T022","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031227","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"21.0","height":"85.0","width":"47.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":"Naramsin.19.00.00","dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93687,"artifact_id":217309,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116974,"entity_id":217309,"publication_id":61613,"exact_reference":"53","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217310,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 54","elevation":null,"excavation_no":"Kh 1934 T045","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031206","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"20.0","height":"62.0","width":"41.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":null,"dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93688,"artifact_id":217310,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93690,"artifact_id":217312,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116977,"entity_id":217312,"publication_id":61613,"exact_reference":"56","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217313,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 57","elevation":null,"excavation_no":"Kh 1934 T004","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93691,"artifact_id":217313,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. 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\u0634\u0647\u0631 \u0646\u064a\u0633\u0627\u0646 \u0648\u0639\u0646\u062f\u0645\u0627 \u0628\u062f\u0623 \u0627\u0644\u0646\u0647\u0628 \u0644\u0644\u0645\u062a\u062d\u0641 \u0627\u0644\u0639\u0631\u0627\u0642\u064a \u062a\u0631\u0643\u0632\u062a \u0627\u0646\u0638\u0627\u0631 \u0627\u0644\u0639\u0627\u0644\u0645 \u0639\u0644\u0649 \u0627\u0644\u062a\u0631\u0627\u062b \u0627\u0644\u062d\u0636\u0627\u0631\u064a \u0644\u0644\u0639\u0631\u0627\u0642 \u0648\u0628\u062f\u0623\u062a \u062c\u0647\u0648\u062f \u062f\u0648\u0644\u064a\u0629 \u0645\u0643\u062b\u0641\u0629 \u0644\u0648\u0636\u0639 \u0642\u0627\u0626\u0645\u0629 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0627\u0641 \u0627\u0644\u062a\u062d\u0641\u064a\u0627\u062a \u0627\u0644\u0645\u0641\u0642\u0648\u062f\u0629 \u0648\u0645\u062d\u0627\u0648\u0644\u0629 \u0627\u0639\u0627\u062f\u062a\u0647\u0627 \u0627\u0644\u0649 \u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93693,"artifact_id":217315,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93695,"artifact_id":217317,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116982,"entity_id":217317,"publication_id":61613,"exact_reference":"61","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217318,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 62","elevation":null,"excavation_no":"Kh 1934 T044","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031205","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"23.0","height":"97.0","width":"45.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":null,"dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93696,"artifact_id":217318,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116983,"entity_id":217318,"publication_id":61613,"exact_reference":"62","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217319,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 63","elevation":null,"excavation_no":"Kh 1934 T043","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031204","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"24.0","height":"92.0","width":"47.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":null,"dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93697,"artifact_id":217319,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116984,"entity_id":217319,"publication_id":61613,"exact_reference":"63","publication_type":"primary","publication_comments":"","table_name":"artifacts"}},{"id":217320,"cdli_comments":null,"composite_no":null,"condition_description":null,"designation":"Tutub 64","elevation":null,"excavation_no":"Kh 1934 T030","findspot_comments":"Sounding H","findspot_square":null,"museum_no":"IM 031233","artifact_preservation":null,"is_public":true,"is_atf_public":true,"are_images_public":true,"seal_no":null,"seal_information":null,"stratigraphic_level":null,"surface_preservation":null,"thickness":"21.0","height":"86.0","width":"49.0","weight":null,"provenience_id":130,"period_id":10,"is_provenience_uncertain":false,"is_period_uncertain":false,"artifact_type_id":4,"accession_no":"","alternative_years":"","period_comments":"","provenience_comments":"","is_school_text":false,"written_in":null,"is_artifact_type_uncertain":false,"archive_id":null,"dates_referenced":null,"dates_referenced_comments":"","accounting_period":"","artifact_comments":null,"created_by":820,"retired":false,"has_fragments":false,"is_artifact_fake":false,"destroyed":null,"unlocated":null,"anepigraphic":null,"artifact_type_comments":null,"is_archive_uncertain":null,"redirect_artifact_id":null,"retired_comments":null,"collections":[{"id":1100,"collection":"National Museum of Iraq, Baghdad, 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\u0627\u0644\u0645\u062a\u062d\u0641.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003ESources\u003C\/strong\u003E:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026quot;A Short History of the Iraq National Museum.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan.\u0026nbsp;\u003Cem\u003EGertrude Bell.\u003C\/em\u003E\u0026nbsp;Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026quot;Robbing the Archaeological Cradle\u0026quot;.\u0026nbsp;\u003Cem\u003ENatural History Magazine\u003C\/em\u003E, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026quot;A Museum is Born.\u0026quot; In\u0026nbsp;\u003Cem\u003EThe Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia\u003C\/em\u003E. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cstrong\u003E\u003Ca id=\u0022english\u0022 name=\u0022english\u0022\u003E\u003C\/a\u003EA Short History of the Iraq Museum\u003C\/strong\u003E\u003Cbr \/\u003E\r\nIn the 19th century, the expeditions of Rich, Rawlinson, Layard, Botta, Loftus, Smith and others first exposed the western world to the richness of ancient Mesopotamian material culture. The Ottoman policy concerning the treatment of antiquities allowed foreign excavators to remove all finds to their own countries. In 1881, Osman Hamdi Bey, the first director of the Archaeological Museum of Istanbul, required that all excavated finds be divided between Istanbul and the foreign countries sponsoring excavations.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAt the start of WWI, excavation in Iraq came to a halt. On October 30, 1918, the Armistice of Mudros brought an end to the war in the Middle East, and Britain was left in control of all of modern-day Iraq. The first king of Iraq, Faisal I, was to prove an important supporter of the idea of the Iraq Museum. His advisor and confidant, Gertrude Bell was instrumental in installing him as the ruler of Iraq. In 1923, Bell, the Oxford educated British Intelligence agent, Arabist, and archaeologist was appointed Director of Antiquities in Iraq. As such, she fought to keep Iraqi antiquities in Iraq. Under her direction, one room in Iraq\u0026#39;s government building in Baghdad was dedicated to housing Iraqi antiquities. In 1926, a new building was founded on the east side of the Tigris to house artifacts. This building was named the Iraq Museum, and Bell became its director until her death later that year. She was followed in this position by R.S. Cooke (1926-1929), Sidney Smith (1929-1931), Julius Jordan (1931-1934), and Sati al-Husri (1934-1941), who encouraged the excavation of Arab Islamic sites like Kufa, Basra, and Wasit. Jordan (1934-1939) and Seton Lloyd (1939-1941) each served as advisors to Sati al-Husri.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe Iraq Museum was born during a period of feverish excavation in Iraq. The seminal excavations by a joint American and British team at the Royal Cemetery at Ur, the French at Telloh and Kish, and the Germans at Warka all provided the nascent Iraq Museum with some of the most stunning and culturally significant pieces in the collection.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EThe end of British Mandate in 1932 brought an independent Iraq into the League of Nations. In 1936, during the reign of King Ghazi, Faisal I\u0026#39;s son, a new antiquities law was enacted. All artifacts over 200 years old were now officially the property of the state and could not be removed without the permission of the government. In the years after the implementation of the Antiquities Law, some of the most important excavations in Iraq were carried out at sites such as Khafaje, Tell Asmar, Hassuna, Eridu, Shanidar cave, and Jarmo, along with new projects at Numrud and Nippur.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn 1966, the museum moved to a new two-story building organized around a single courtyard on the west side of the Tigris. The museum was renamed the Iraq National Museum, and in 1986 a second courtyard building was added to the museum.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBetween 1980 and 1988, during the war between Iraq and Iran, the pace of archaeology in Iraq slowed considerably. After 1988, excavations continued at sites like Nimrud, Nineveh, Jemdet Nasr, Hatra, Sippar, and Nemrik.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EBy the time of the first Gulf War, when foreign archeology in Iraq once again ground to a halt, the items on display in the Iraq Museum represented fewer than 3% of the museum\u0026#39;s holdings. During the first Gulf War, the building across the street from the Iraq Museum was bombed and several display cases in the museum were shattered. The most important objects were moved to the basement of the museum\u0026rsquo;s old storage building. Hundreds of these objects were damaged when the basement was flooded.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EIn February 2003, the museum officially closed and on April 10, 2003, the looting of the Iraq Museum focused the world\u0026#39;s attention on the cultural heritage of Iraq and sparked a multinational effort to catalogue and retrieve the thousands of missing artifacts.\u003C\/p\u003E\r\n\r\n\u003Cp\u003ESources:\u003Cbr \/\u003E\r\nGhaidan, Usam, and Anna Paolini. \u0026ldquo;A Short History of the Iraq National Museum.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 20-25. New York: Harry N. Abrams, 2005.\u003Cbr \/\u003E\r\nGoodman, Susan. Gertrude Bell. Oxford: Berg, 1992.\u003Cbr \/\u003E\r\nRussell, John Malcolm. \u0026ldquo;Robbing the Archaeological Cradle.\u0026rdquo; Natural History Magazine, February 2001.\u003Cbr \/\u003E\r\nWerr, Lamia Al-Gailani. \u0026ldquo;A Museum is Born.\u0026rdquo; In The Looting of the Iraq Museum, Baghdad: The Lost Legacy of Mesopotamia. Edited by Milbry Polk and Angela Schuster. 27-33. New York: Harry N. Abrams, 2005.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E- Robert K. Englund\u003C\/p\u003E\r\n","is_pinned":false,"collection_actor":"Agency","collection_holding":"Museum","collection_actor_status":"Public","collection_holding_status":"Extant","collection_is_private":false,"country_iso":"IRQ","region_gadm":"IRQ.10_1","district_gadm":"IRQ.10.1_1","location_longitude_wgs1984":44.3852,"location_latitude_wgs1984":33.3283,"location_accuracy":50,"glow_id":42,"license_id":null,"license_attribution":null,"license_comment":null,"_joinData":{"id":93698,"artifact_id":217320,"collection_id":1100}}],"artifact_type":{"id":4,"artifact_type":"tablet","parent_id":27,"description":"Tablets were the most common medium for writing in Mesopotamia. Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. 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Styluses were impressed upon wet clay which, when sun dried or baked, would harden and preserve the text. Tablets were used for official letters and missives, economic archival texts, legal texts, religious documents and the recording of omen lists to educational texts and poetry. The \u003Ci\u003Elongue dur\u00e9e\u003C\/i\u003E of the clay tablet\u2019s use as a primary writing form and the durability of baked clay has led to an astounding number of tablets to survive to this day. Tablet here is the distinct and singular category of the baked clay text.There is no differentiation between the genre of the tablet but simply the materiality and dimensions of the object, be it lenticular of rectangular.Other forms of writing such as writing boards, prisms and cylinders are in categories of their own. Likewise the clay envelope casings that tablets were transported in are found in the envelope category. Similarly the category of \u2018Tablet \u0026amp; Envelope\u2019 is for tablets that have survived with their particular envelopes \u2013 in both extant and fragmented states \u2013 from antiquity. \u2018Tablet\u2019 is also distinct from the \u2018Tag\u2019 category as, although the objects can near identical lenticular inscribed clay objects, tags represent a specific administrative function and evolutionary point in the development of writing. "},"period":{"id":10,"sequence":11,"period":"Old Akkadian (ca. 2340-2200 BC)","name":"Old Akkadian","time_range":"ca. 2340-2200 BC"},"provenience":{"id":130,"provenience":"Tutub (mod. Khafaje)","location_id":549,"place_id":138,"region_id":7,"description":null},"entities_publication":{"id":275116986,"entity_id":217321,"publication_id":61613,"exact_reference":"65","publication_type":"primary","publication_comments":"","table_name":"artifacts"}}]}]